Thursday, 24 May 2012

'Saving Face’ producers threatened with legal action by victims


Acid attack victims in Pakistan have threatened legal action to block the release of award-winning documentary Saving Face in the country for fear of reprisals.

Sharmeen Obaid Chinoy’s heartrending documentary was celebrated around the world and won an Oscar – Pakistan’s first – in February.

But relations between the director and some of the subjects featured in the film have reportedly taken a turn for the worst.

Survivors have said they are at risk of further acid attacks if the film is screened in Pakistan.
Saving Face follows acclaimed British-Pakistani surgeon, Mohammad Jawad, as he travels around Pakistan performing reconstructive surgery on survivors of acid attacks.

The film’s success however has angered some of its subjects.

"We had no idea it would be a hit and win an Oscar. It's completely wrong. We never allowed them to show this film in Pakistan," Naila Farhat, 22, who lost an eye to an acid attack, told AFP news agency.

"This is disrespect to my family, to my relatives and they'll make an issue of it... We may be in more danger and we're scared that, God forbid, we could face the same type of incident again.

"We do not want to show our faces to the world."

But Ms Obaid-Chinoy insists the women have signed legal documents allowing the film to be shown anywhere in the world, including Pakistan.

She told AFP that one woman featured, Rukhsana, had already been edited out of the version to be shown in Pakistan out of respect for her concerns.

-    Viji Alles

Wednesday, 23 May 2012

"Civilian casualty figures are wrong": General Sarath Fonseka


UKAsian Editor's Note; General Sarath Fonseka - the  man who helped vanquish the LTTE and bring to an end Sri Lanka's bloody 30-year Civil war in 2009, and who was subsequently imprisoned for daring to challenge the country's president at the ballot box - was released from prison last week.

The career military man, a war hero to many, had been jailed after standing against his former masters - President Mahinda Rajapakse and his brother Gotabhaya, the powerful defence secretary - at the general election which followed in the aftermath of one of history's most violent and crippling ethnic conflicts.
General Fonseka's imprisonment attracted widespread criticism - nationally and internationally - and was seen as yet another ploy by the ruling Rajapakse family to suppress dissent and extend its' hegemony over the picturesque island.

Some say the general's release was a way for the Rajapakse regime to counter waning support home and abroad.  In spite of Sri Lanka's booming economy, the country continues to be dogged by myriad troubles: from the often brutal suppression of opposition to the government to the skyrocketing cost of living.
It is still unclear whether General Fonseka will re-enter politics.  Even if he does, he is not seen as an immediate political threat as the next presidential election is due to take place in 2016.
The BBC's Charles Haviland was the first journalist to interview General Fonseka following his release from the notorious Welikada prison in Colombo.

Following is the full transcript of the interview.
The BBC met Sarath Fonseka on Tuesday morning at the rented house where the family now stays on the outskirts of Colombo.  Two restless barking dogs – a Dalmation and a Dachshund – calmed down by the time we started filming and the place was peaceful, the only extraneous noise being the occasional lowing of cattle in an adjoining field.  The former army chief looked tired but was due to set off to pay homage at Buddhist temples in the provinces the same afternoon.

Charles Haviland: Why do you think you’ve been released now?
Sarath Fonseka: There’s a lot of pressure on the people who were behind putting me behind bars – internally, the local aspirations of the people, the sentiments of the people, the pressure was building up.  Then internationally we know that there was unlimited pressure.  The international community did a great job by maintaining continuous pressure on them.  Because they were interested to see proper democracy in this country.  With that in mind, they I think exercised a fair amount of pressure on the people who were behind my incarceration.

CH: You have your differences with President Rajapaksa but are you grateful to him for signing the papers for your release?

SF: I will ask you the same question.  If I put you behind bars, later on I put you out, what would you feel about it?

CH: Are the terms of your release unconditional – will you be allowed to go  back to politics?

SF: As yet I have not seen this legal document.  Unless they have remitted the prison sentence which I have completed already, unless they do that I can’t do politics.  I can do politics but I can’t vote or contest.  So as it is, we don’t know exactly what is there in the document but we’ll come to know.

CH: There’s still another charge outstanding against you, of harbouring army deserters.  Could you still go back to court and be sentenced again or is that out of the question?

SF: Yes naturally they want to hold on to it, thinking they can put pressure on me by maintaining that.  But that’s another case as far as I’m concerned.  Obviously we don’t agree with the charges.  If they think they can put me behind bars again using that, most probably they are repeating the same mistake.

CH: Would you like ideally to go back to politics again and challenge the president in an election once more?

SF: Umm – yes, it’s not that I want to become the president of the country or something.  My intention and my agenda is not to contest for the presidential and become the president of the country only.  I have a political agenda: to change the corrupt political culture in this country.  As far as I can do that, I don’t mind not becoming president or not being an MP.  But we’ll definitely try to gather all the forces together for that purpose.  So when we go ahead with that, they will already be confronting us, obviously.

CH: How do you see yourself in terms of being an opposition leader in this country?  Do you think perhaps you are the best placed to be such a leader?

SF: It’s not a case of whether I am the best or anyone else is the best.  It’s a case of who is really interested, genuinely interested, about the country’s interest.  Let the people decide that.  The people who think that this government is not doing their job and if they think there is a change required now then they will have to decide basically who is the best person or who are the best people to do that.  Otherwise I don’t want to get into a leadership clash or fighting for appointments or something.

CH: I’d like to talk about human rights issues starting with the international angle.  In March the US sponsored a resolution at the UN Human Rights Council in Geneva which was critical of Sri Lanka on human rights.  It was adopted, India supported it, and it basically said Sri Lanka should do more to implement reconciliation recommendations which came from within Sri Lanka and should do more about accountability in respect of alleged war crimes.  Were you happy to see that resolution passed?

SF: Yes – because – on certain issues in that resolution we straight away we agree – the violations of human rights, the reconciliation, yes, it’s a must, but the war crimes – there are various different opinions.  So we have to argue with that, argue it out and clarify any doubts so that those who are pointing out any issues – I always believe that they must point out specific  issues, then we are ready to answer them, we can clarify anything.  I don’t want to hide and wait.  The way some people are trying to hide their face when it comes to war crimes and other issues – it gives the impression to the rest of the world that these people are guilty of something.  I have always said that I am ready to answer for any allegations about the war crimes in relation to the military operations,  so that is my position.


But human rights violations, yes, and the intimidation, the people are under pressure, terrified, terrorised, all due to the abuse of power by the government – I fully agree that if there is a dictatorship, ongoing dictatorship, or someone looking forward for a dictatorship, tyrannical politics – if people’s interest is not looked after, people are intimidated, if the opposition is suppressed – then obviously if things go beyond the control of the law-enforcing agencies in the country, if the judiciary is being pressurised, influenced – then obviously the accepted thing in the whole world – the rest of the world must also take some interest in those issues to help a country out.

CH: So you say the judiciary is intimidated, that there is intimidation in wider society, threats, etc?  Is this what you are saying?

SF: Yeah that’s true.  Judiciary – although it is not direct intimidation there’s a certain amount of influence on judiciary because after the 18th Amendment was brought in [taking away limits to presidential terms and providing the president with numerous new powers]  – Powerful, and the judges and everybody else in the judiciary, Attorney-General’s Department, everybody [is] vulnerable for a one-man show.  So obviously they can’t be independent, they can’t take decisions.  They themselves are human beings who have to look after their families, who have to look after their jobs.  So indirectly they are pressurising the judiciary and judiciary cannot be independent under a situation like this.

CH: You’re saying that’s because the president has the power to directly appoint so many of these people?

SF: Yes.  Everybody knows in this country and he’s not doing it sincerely.

CH: Before you left the army some people accused you of taking part in that same kind of culture of intimidation and threats.

SF:  That is also the fault of the government.  When there were incidents here and there, the government did not come out and face the criticism and settle those issues, then the people formed their own opinion.  If someone is killed in Colombo or a journalist is attacked or killed, then if the government does not find the culprits, the people, the opposition will point the finger at the government and those who are – the military and the police, the people who have power.  As the people who are responsible.  In fact this president, very unfortunate, I know at certain media briefings , after some incident took place in relation to a media personnel, he has been saying “don’t disturb the military, if you disturb the military we will not be able to look after you” – and words like that.  So obviously the people were suspicious about everybody else, not only the army I mean, the servicemen – the intelligence –

CH: So you deny having taken part in those kind of violations in the past?

SF: I had more important things to do.  I was full time to ensure [indistinct word] fighting a huge war.  Rather than going behind one or two people in Colombo which didn’t matter to me at all.  If that is the case now, the way they are criticising me, the mud-slinging, I must start attacking each and every man in the government, if I had that frame of psychology.

CH: On the subject of the war – we’ve referred to it already – a panel appointed by Ban Ki-Moon said there might have been up to 40,000 civilian casualties – civilian casualties on a mass scale.  The government absolutely rejects that.  Where do you stand on this?

SF: I totally reject, refuse the numbers given that thousands of civilians died.  Because I knew exactly how the battle was fought.  How the military was moving forward.  The reaction of the civilians.  What were the civilians doing.  Of course a certain amount of casualties would have been there because everybody knows the civilians were also manning the LTTE bunker lines.  Civilians – there were pictures and the video footage to show that even elderly women aged 60 or 70 going through weapon training.  So there is no question – of a few civilians getting killed obviously but you can’t blame the military for that – because civilians were given weapons and put in the front line, it would not be possible  for the military to identify such people.  But the large figures of 30,000, 40,000, dying, it was not practicable.  The way we conducted the war, the type of weapons systems we used, the manuals we made, we were always concerned about the security of the civilians.

CH: So what’s your view of the idea that there should be an international independent investigation of those claims?

SF: That is up to the international community – if they have any doubts, if they have any questions they can do it.  I think they have all the right and freedom to do it.  Then it’s our business to confront them, meet them and discuss with them and thrash out any doubts.

CH: And Sri Lanka should be open to that?

SF: Definitely, yes.

CH: And you would be open to that even if you were to come under the spotlight of investigation?

SF: I’ve said from the very beginning, to safeguard the name of the military, those who sacrificed their lives, those who conducted that operation, I’ll come out at any time, I’m not scared to come before anybody.

CH: Who was really in charge of the war effort in the last months or years – you or the defence secretary or the president?

SF: If I could run it for two years and eight months, there was no reason for take over during the last month.  Nobody else would have had the knowledge about what’s happening on the ground more than me at that time.  Of course everybody wants to say, “we conducted the war”.  I don’t know what they have been talking, what they have been doing.  If they were discussing things without my knowledge without my presence, I don’t know.  They are themselves saying they planned certain things, they worked out certain strategies, they have to answer for that then.  They must say what they exactly did.

CH: But you were in overall charge?

SF:  Yeah, definitely.

CH: Sarath Fonseka, thank you very much for speaking to us.

SF: Thank you very much.  You take my message to the international community also.  We want them to be with us, to build the country, and clear the name of the image of this country.  And we need their assistance.  And we are ready to cooperate and work with the rest of the world any time.  Thank you.

http://www.ukasiaonline.com/

Tuesday, 22 May 2012

Study says schools need more information to help ethnic minority students


Schools in Britain should record more information on the languages spoken by pupils from minority communities to better support students who struggle with education, a new study has found.

Researchers from London Metropolitan University said simply recording students' ethnicity was insufficient as Britain becomes ever more diverse.

The team analysed GCSE records from 2007 to 2011, looking at the proportion achieving five good grades (A* to C), including maths and English.

They found in particular that speakers of other languages lagged behind in Yorkshire, Humber and the North West.

The report states: "Overall, many of the widest attainment gaps are present in local authorities with substantial Pakistani ethnic minority groups - for example Peterborough, Oldham, Bedford, Bury, Derby, Sheffield and Calderdale, who tend to speak Urdu, Punjabi or Mirpuri and experience economic disadvantage.

The aim of the study was to identify those ethnic minorities who struggle in education in England and where they are located.

Previous studies have suggested that pupils whose native tongue is not English did better than the national average at GCSE's.

But the researchers found that while this was true in inner London it was not the case in other regions.
They also found that in some regions the data being collected about pupils' first languages and ethnicity was imprecise.

Report author Ayo Mansaray told the BBC: "Britain is becoming more ethnically and linguistically diverse every day, beyond London and urban areas typically associated with multi-ethnic populations.
"But the statistics being collected and the research being done are not keeping up with this diversity."

- UKAsian Staff/Reports
http://www.ukasiaonline.com/

Anurag Kashyap gets India interested...via Cannes


Director Anurag Kashyap is creating waves in India all the way from France.

His latest movie, “Gangs of Wasseypur,” is India’s first mainstream film to be screened in the Director’s Fortnight section at the Cannes Film Festival. The epic follows a feuding family over 60 years in the rural eastern coal district of Dhanbad.

It stars Manoj Bajpayee, Nawazuddin Siddiqui and Richa Chadda.
Kashyap says being at Cannes has increased interest in his movies in India. He says Indian movies that are not Bollywood are too often “sidelined as very boring and art house, and they don’t often get released “ in his native land.

But he said when “people everywhere are endorsing the film, back home they suddenly take it very seriously.”

Kashyap has another film titled “Peddlers” showing in the festival’s Critic’s Week section.
- Associated Press

http://www.ukasiaonline.com/

"He's old enough to be her dad!"


A friend recently asked what I thought of the song “Chammak Challo Chel Chabeli” from the upcoming movie “Rowdy Rathore.” My unfiltered reaction was something along the lines of “Ugh,” not because of any particulars of the music or choreography but because once again a mainstream Hindi film has given us a jodi in which the man is ridiculously older than his female co-star.

Heroine Sonakshi Sinha will be 25 when the film is released in June, while hero Akshay Kumar will be 45. Ms. Sinha’s debut film, the 2010 smash “Dabangg,” saw her paired with Salman Khan, almost 22 years her senior. Mr. Khan’s last big hits, “Bodyguard” and “Ready” (2011), coupled him with Kareena Kapoor and Asin Thottumkal, who are respectively 15 and 20 years younger than he is.

Last year Ms. Kapoor also starred in “Ra.One” opposite Shah Rukh Khan, who is the same age as Salman Khan. Ms. Thottumkal made her Hindi film debut in “Ghajini” (2008) opposite Aamir Khan, who is also two decades older than she is. The list goes on: Sonam Kapoor with Salman Khan in “Saawariya” (a gap of 20 years), Deepika Padukone with Shah Rukh Khan (21 years), Anuskha Sharma with Shah Rukh Khan (23 years).

All this makes the 10-year age gap between real-life romantic partners Saif Ali Khan and Kareena Kapoor seem downright miniscule, doesn’t it?

But enough arithmetic—you get the point. The Hindi film industry isn’t alone in routinely making such lopsided casting decisions. It happens in Hollywood all the time, even in the notable occasions when major stars actually express concern about it, as Cary Grant did about his 25-year gap with Audrey Hepburn in “Charade” half a century ago.

For me, the problem with May-December romantic pairings is not as much what it reflects and proscribes about gender roles — though I do wonder about films’ implicit messages about power dynamics and choice in these relationships (and that’s a question that deserves a much longer investigation than this column has room for) — as it is about the sidelining and downplaying of the talents of women in the film industry.

Male superstars play the hero year after year, but their female colleagues are left with fewer career options as they age. If they get married and have children, they tend to be ineligible for primary heroine roles because they’re viewed as unsuitable for portraying a complicated mix of romance, sex appeal, propriety and naivety.

An article in The Guardian last week used superstar and new mother Aishwarya Rai Bachchan as an example of the conundrum facing many female stars: they’re expected to have children, but they’re also expected to look like fashion models.  Toss stereotypes of wifeliness into the mix, and what’s a young actor to do?

Ignoring these talented women, either by not casting them or by putting them in secondary or tertiary roles, deprives audiences of great performers. I don’t resent men in their mid- and upper forties propelling an industry, but I resent that women don’t seem to have anywhere close to the same chance. Since performers are the people we literally see when we engage with films, this is simply the most visible face of the overall gender discrepancies across the industry: types of roles, work behind the camera, earnings, power and maybe even respect.

It’s the face of a system that rewards certain men who keep on going… and going… but does not provide many opportunities for women to even try.

The way heroes are constructed in films is also a telling component of these extreme age differences. The hero is someone who can save and defend, and maybe it’s easier to maintain the fantasy of a woman needing to be protected if she looks a lot younger. Does the casting simply reflect and reinforce what male-dominated audiences are assumed to want: youth in sexy and submissive permutations? Or maybe it’s just another part of the masala world, like songs that magically teleport characters to Russia or California, inviting us to suspend our disbelief.

My frustration with the actual age gap of actors is somewhat mollified by how seldom the characters are clearly marked as being of significantly different ages. And if the characters seem like a good match and the actors do a good job at creating and enlivening them, the details of their realities remain irrelevant.

To its credit, Bollywood has occasionally addressed the issue of older man/young woman romances head on. In those movies, casting people with big age differences not only makes sense but is called for. Two films from 2007 feature Amitabh Bachchan, perhaps one of just a handful of actors with reliable dignity, in such stories. “Cheeni Kum” depicts the complications in a romance with a 30-year gap played by Bachchan, then 65, and Tabu, then 36.

The poster of “Nishabd” states “He is 60. She is 18” and pictures the smiling lead actors (Bachchan and Jiah Khan, whose real-life 46-year age gap is slightly more than that of the characters). “Anoka Rishta” (1986) saw then-44-year-old Rajesh Khanna as the object of a teenage girl’s affection — and not acting on it, much to the relief of viewers.

I wonder what would inspire the industry to cast more age- and talent-appropriate romantic leads with the male superstars. If the cash registers ring for heroes old enough to be the fathers of their love interests, then surely the pattern will continue and talented women will age past their preserved colleagues from lover to mother, just for having the gall to grow up.

Does a 20-year difference between romantic leads bother you? If so, who would you rather see opposite box-office heavies like Salman and Akshay? Please share your thoughts in the Comments section.
- Beth Watkins

http://www.ukasiaonline.com/

Watkins has been blogging for more than five years at Beth Loves Bollywood. She is an expert on Bollywood history and lore as well as contemporary movies and actors. You can follow Ms. Watkins on Twitter@bethlovesbolly.

South Asian Cinema Foundation to Honour Shyam Benegal


The South Asian Cinema Foundation is set to honour the work of pioneering Indian filmmaker Shyam Benegal with a series of events in London this June.

Benegal is one of the most prolific screenwriters and directors in India and has often been called the father of the Indian New Wave: a genre which sprang up in the 1960's and 70's as an alternative to mainstream Bollywood.

During its heyday in the early 1970's, Benegal spearheaded the movement with such classics as Ankur (1973), Nishant (1975) and Bhumika (1977).

The underlying socio-political themes of his movies prompted Bollywood to demystify its portrayal of India.
Benegal also paved the way for such acting stalwarts as Shabana Azmi, Om Puri and Naseeruddin Shah to shine.

Presented by the South Asian Cinema Foundation in association with BFI Southbank and The Nehru Centre, 'Honouring Shyam Benegal' will include screenings of Bhumika and Junoon, a filmmaking masterclass as well as a lecture on the current state of the Indian New Wave.

For more information, visit http://www.southasiancinema.com/interviews.php
- Poonam Joshi

http://www.ukasiaonline.com/
Programme of Events:

Bhumika (The Role), 1977
143 mins. Hindi & Urdu with EST. PG. Dir: Shyam Benegal. With Smita Patil and Amol Palekar
This powerful exploration of the tragic life of a Bombay studio screen actress was a crowning achievement for actress Smita Patil and a career highlight for this notable director. Screen roles of virtue and self-sacrifice conflict with the reality of domestic violence, adultery and despair as actress Usha tries to break free of the constraints of gender and class. Shot on authentic locations, and using montage as well as colour tinting and contrasting film stock, this is emotionally intense, visual storytelling and a rare insight into the history of Indian cinema itself.
Sat 9 June, 13:30, NFT 1

SACF Excellence in Cinema Award to Shyam Benegal
Benegal will discuss his life and work with film historian and SACF Director Lalit Mohan Joshi & Q&A
The South Asian Cinema Foundation, in partnership with the Nehru Centre, will present him with the SACF Excellence in Cinema Award. Benegal and film historian, filmmaker and SACF director Lalit Mohan Joshi will discuss a rich, enduring career, and the conversation will include clips and an opportunity for the director to take questions from the audience.
Sat 9 June, 16:15, NFT 1

Bhumika Masterclass with Shyam Benegal conducted by Rosie Thomas
Attendees will be able to share the director’s view on the making of this masterpiece.  As a counterpoint to critical or academic perspectives, join this masterclass and share a film director's own insight into the making of this major work. Taking a shot-by-shot look at fragments of Bhumika, director Shyam Benegal will reflect on some of the key creative and practical challenges in the production process of this remarkable film. Attendees of the masterclass should be familiar with Bhumika (screening on Sat 9 June) so that they can fully appreciate this session.
Sun 10 June 13:00 NFT3

Junoon (Obsession), 1978
134 mins. Hindi & Urdu with EST. Dir: Shyam Benegal with Shashi Kapoor, Jennifer Kendal, Shabana Azmi, Naseeruddin Shah, Ismat Chugtai, Nafisa Ali
Junoon means 'obsession' in Hindi and this theme underlies this passionate, sensual and violent story, set against the turbulent period of the so-called 'Sepoy mutiny' of 1857. Often considered as the First War of Independence, it is a period that still resonates in India today. Casting star names include Shashi and wife Jennifer Kapoor (née Kendal).  Benegal has adapted Ruskin Bond's A Flight of Pigeons and developed a tale in which an infatuated Pathan soldier interacts with the women of an assimilated colonial family, dividing loyalties and challenging connections between coloniser and colonised.
Sun 10 June 17:45 NFT2

Shyam Benegal to Release Kaal, a New Novel by Sangeeta Bahadur. (By Invitation only)
Mon 11 June 14:30 House of Lords, Committee Room 1

Phalke Memorial Lecture: “New Indian Cinema Circa 2012” by Shyam Benegal
Mon 11 June 18:30 Nehru Centre
Benegal to open SACF’s Shyam Benegal Exhibition curated by Dr Kusum Pant Joshi with Uttara S. Joshi
FREE

US webcam spy student Dharun Ravi jailed

An Indian student in the US who secretly filmed his gay roommate kissing another man has been sentenced to 30 days in prison.

20-year-old Dharun Ravi, an Indian citizen who has lived in New Jersey for most of his life, had posted the video of the encounter on Twitter and Facebook.

Days later, in September 2010, his roommate - 18-year-old Tyler Clementi - killed himself.

The subsequent trial made front-page headlines around the United States and even prompted comment from President Obama.

Ravi had been facing up to 10 years in prison.

Apart from the 30-day sentence, Ravi was placed on three years probation, ordered to complete 300 hours of community service and pay $10,000 to a public organization that helps victims of hate crimes.
The court heard how Ravi - then a student at the prestigious Rutgers University - used a webcam in his dorm room to film Clementi kissing another man.

Prosecutors said the video was viewed about a dozen times by fellow students.
Clementi, they said, had viewed Ravi's Twitter page 38 times in the two days before his death.
As he handed down sentence on Monday, Judge Glenn Berman said he had not heard Ravi apologise once, adding that Clementi's own words - "wildly inappropriate" - best described his actions.

The judge added that he did not believe Ravi had acted out of hate for Clementi, but said he had been guilty of "colossal insensitivity".

- UKAsian
http://www.ukasiaonline.com/